Jean Baptiste Camille Corot
1796-1875 Corot Locations French painter, draughtsman and printmaker. After a classical education at the College de Rouen, where he did not distinguish himself, and an unsuccessful apprenticeship with two drapers, Corot was allowed to devote himself to painting at the age of 26. He was given some money that had been intended for his sister, who had died in 1821, and this, together with what we must assume was his family continued generosity, freed him from financial worries and from having to sell his paintings to earn a living. Corot chose to follow a modified academic course of training. He did not enrol in the Ecole des Beaux-Arts but studied instead with Achille Etna Michallon and, after Michallon death in 1822, with Jean-Victor Bertin. Both had been pupils of Pierre-Henri Valenciennes, and, although in later years Corot denied that he had learnt anything of value from his teachers, his career as a whole shows his attachment to the principles of historic landscape painting which they professed.

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Jean Baptiste Camille  Corot Portrait of the artist (mk05) oil painting


Portrait of the artist (mk05)
1825 Paper on canvas 13 x 10''(33 x 25 cm)Given in 1906 R.F 1608(G/AR)
Painting ID::  20886
Jean Baptiste Camille Corot
Portrait of the artist (mk05)
1825 Paper on canvas 13 x 10''(33 x 25 cm)Given in 1906 R.F 1608(G/AR)
   
   
     

Jean Baptiste Camille  Corot Woman in Blue (mk05) oil painting


Woman in Blue (mk05)
Canvas 31 1/2 x 20''(80 x 51 cm)Sold by the artist to M.Bardon;collection Henri Rouart; acquired by the Louvre in 1912 R.F 2056(G/AR)
Painting ID::  20889
Jean Baptiste Camille Corot
Woman in Blue (mk05)
Canvas 31 1/2 x 20''(80 x 51 cm)Sold by the artist to M.Bardon;collection Henri Rouart; acquired by the Louvre in 1912 R.F 2056(G/AR)
   
   
     

Jean Baptiste Camille  Corot A Gate Shaded by Trees also called Entrance to the Chateau Breton Landscapee (mk05) oil painting


A Gate Shaded by Trees also called Entrance to the Chateau Breton Landscapee (mk05)
Paper on canvas 12 1/2 x 17''(32 x 43 cm)Given in 1906R.F 1621 (MN)
Painting ID::  20890
Jean Baptiste Camille Corot
A Gate Shaded by Trees also called Entrance to the Chateau Breton Landscapee (mk05)
Paper on canvas 12 1/2 x 17''(32 x 43 cm)Given in 1906R.F 1621 (MN)
   
   
     

Jean Baptiste Camille  Corot Venice,the Piazzetta,August-September (mk05) oil painting


Venice,the Piazzetta,August-September (mk05)
1834 Paper on canvas 8 1/4 x 14''(21 x 35 cm)Acquired in 1909 R.F 1755(MN)
Painting ID::  20891
Jean Baptiste Camille Corot
Venice,the Piazzetta,August-September (mk05)
1834 Paper on canvas 8 1/4 x 14''(21 x 35 cm)Acquired in 1909 R.F 1755(MN)
   
   
     

Jean Baptiste Camille  Corot Rosny,the Chateau of the Duchesse de Berry (mk05) oil painting


Rosny,the Chateau of the Duchesse de Berry (mk05)
1840 Canvas 9 1/2 x 14''(24 x 35 cm)Given in 1926 R.F 2602 (MN)
Painting ID::  20892
Jean Baptiste Camille Corot
Rosny,the Chateau of the Duchesse de Berry (mk05)
1840 Canvas 9 1/2 x 14''(24 x 35 cm)Given in 1926 R.F 2602 (MN)
   
   
     

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     Jean Baptiste Camille Corot
     1796-1875 Corot Locations French painter, draughtsman and printmaker. After a classical education at the College de Rouen, where he did not distinguish himself, and an unsuccessful apprenticeship with two drapers, Corot was allowed to devote himself to painting at the age of 26. He was given some money that had been intended for his sister, who had died in 1821, and this, together with what we must assume was his family continued generosity, freed him from financial worries and from having to sell his paintings to earn a living. Corot chose to follow a modified academic course of training. He did not enrol in the Ecole des Beaux-Arts but studied instead with Achille Etna Michallon and, after Michallon death in 1822, with Jean-Victor Bertin. Both had been pupils of Pierre-Henri Valenciennes, and, although in later years Corot denied that he had learnt anything of value from his teachers, his career as a whole shows his attachment to the principles of historic landscape painting which they professed.

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